pixiesnifffrobodong:

A guy from my job just texted me asking “Has anyone ever told you how beautiful you are?”

I was like “Yeah, lots of times.”

I have expected him to respond “And then what? ;)”

post-impressionisms:

I love art - no.38

Joaquin Sorolla y Bastida, Spanish  (1863—1923).

wedonotpromoteviolence:

heirofspacecore:

sleek-black-wings:

thederpywingedone:

batmansymbol:

by the way did I ever tell y’all about the time I got a blank message from nobody, sent on new year’s eve in 1969, when the internet didn’t exist?
because that happened

What the fuck

Time travel.

Or maybe its from 2069, when we’ve developed the technology to send data to the past. You sent yourself a blank message as a test but as the email address you used to send it doesnt exist yet, it came up as no sender

I… what?

wedonotpromoteviolence:

heirofspacecore:

sleek-black-wings:

thederpywingedone:

batmansymbol:

by the way did I ever tell y’all about the time I got a blank message from nobody, sent on new year’s eve in 1969, when the internet didn’t exist?

because that happened

What the fuck

Time travel.

Or maybe its from 2069, when we’ve developed the technology to send data to the past. You sent yourself a blank message as a test but as the email address you used to send it doesnt exist yet, it came up as no sender

I… what?

pixiesnifffrobodong:

It’s fucking red.

pixiesnifffrobodong:

It’s fucking red.

queen-of-blackrom:

Omfg he just looks so happy and excite like hello yes friend where are we going today?

queen-of-blackrom:

Omfg he just looks so happy and excite like hello yes friend where are we going today?

knockingghosts:

myartmoods:

The Hesitant Betrothed by Auguste Toulmouche (1866)

I have always adored this painting. Having the central female figure stare with awareness at her viewer is a very powerful move, and something not often given to women in paintings. It creates an engagement with the viewer, she sees you and she knows you are watching her. She is no longer an object in an image, she is a person.

knockingghosts:

myartmoods:

The Hesitant Betrothed by Auguste Toulmouche (1866)

I have always adored this painting. Having the central female figure stare with awareness at her viewer is a very powerful move, and something not often given to women in paintings. It creates an engagement with the viewer, she sees you and she knows you are watching her. She is no longer an object in an image, she is a person.

unamusedsloth:

Husky raised by cats, view more images here.